Wednesday, 19 December 2012

My Critical Reflection of Module 2


Critical Reflection on Professional Practitioner Inquiry

Introduction

I finished module one with a sense establishing a professional tone within my practice, my journal captures my overall learning in module two as, “being brave and getting on with it… Having discovered my new professional voice, I feel ready to go out there in my world and find out what I don’t know” (Ahmet, A. 2012). In my blog about my initial reaction to module two (Appendix 1), I notice, “going from a position of looking at myself as a practitioner to exploring how my network does things” (Ahmet, A. 2012). This notion lies at the heart of my inquiry.

Principles of Professional Inquiry

My critical reflection of Reader 4 (Appendix 2) and answering its questions in a blog (Appendix 3), allowed me to collect some theories behind professional inquiry and apply them to my practice. My blog about creating a list of questions within my practice (Appendix 4), helped me come to the realisation that the questions point to an, “area of interest” (Ahmet, A.2012), within my inquiry. Martyn Descome (2002) supports this as a good starting point. Having created a Special Interest Group (SIG) via my blog (Appendix 5), I engage these questions with my SIG, take them to a fellow practitioner and blog their development (Appendix 6). This blog task proves useful and the comments display the importance of asking clear, concise and open-ended questions.  By engaging with my SIG, my inquiry is able to construct knowledge and understanding in a supported process of inquiry (Kahn and O’ Rouke 2004). When summarising this part I noticed that my writing has improved, comments describing it as mature and clear (Akineye, A. 2012) gives me a great sense of confidence and achievement for my learning on the course.

Professional Ethics

My learning begins with a blog on my ethics as a practitioner (Appendix 7). I express the idea that ethics isn’t necessarily something the practitioner conceptualises, rather, “my ethics are in place because of my community of practice” (Ahmet, A. 2012). Using a code of conduct within my practice, I notice in a blog (Appendix 8), that rather than a list of rules, ethics are more of a complex idea of moralistic approach over your actions. I then continue with my critical reflections of Reader 5 (Appendix 9). I find great guidance to my professional ethics in an article about theatre arts education (Lazarus, J. 2004). Blogging about the ethical framework within my inquiry (Appendix 10), confidentiality and respect arise as key elements.  I then summarise (Appendix 11) highlighting that as an insider-researcher I will have to live with the mistakes and should proceed carefully in negotiating with colleagues (Costley et al, 2010). After sensing a feeling of struggle to the topic of ethics, the notion of applying it to my practice was the key to broadening my awareness of the subject (Ahmet, A. 2012).

Tools of Professional Inquiry

In a bid to enrich my understanding of Reader 6, I continue with my critical reflections (Appendix 12).  While Mason (2002) introduces qualitative and quantitative approaches to research, the approach will depend on the nature of the inquiry (Bell, 2005). Fox et al (2007) highlight the importance of planning and piloting. With a sense of “planning ahead and being efficient” (Ahmet, A. 2012), and putting my SIG at the heart of my design, I construct my tools for inquiry (Appendix 13, Appendix 14 and Appendix 15). Comments on a fellow student’s blog (Appendix 16) express the survey failed in, “capturing feelings and ideas”, (Ahmet, A. 2012). I then decided on the survey’s role as the quantitative support for my qualitative data, giving my findings triangulation (Bell, 2005). I understand that these tools are, “the backbone of my inquiry” (Ahmet, A.2012) and learn that they are the, “bridge that connects me to my research” (Ahmet, A. 2012).

Conclusion

Having established my area of inquiry, the ethics within it and the tools to facilitate my research. My summary of the module concludes that by having discovered a, “hole of knowledge within my practice, I hope that my work… provides the sealant I'm looking for (Ahmet, A. 2012). From establishing my practice in module one to planning my practitioner research in module two, the BAPP (Arts) programme is feeding my future practice beyond imaginable lengths and my thinking and practitioner confidence developing in ways incomprehensible before.



Bibliographies

Ahmet, A (2012). Ahmet Ahmet’s Blog [online], Available from: http://mrahmet.blogspot.co.uk/2012/10/summary-of-module-2-part-4.html [Accessed 23 Nov 2012]

Ahmet, A (2012). Ahmet Ahmet’s Blog [online], Available from: http://mrahmet.blogspot.co.uk/2012/10/my-area-of-inquiry_82.html [Accessed 23 Nov 2012]

Ahmet, A (2012). Ahmet Ahmet’s blog [online], Available at: http://mrahmet.blogspot.co.uk/2012/10/reader-4-my-critical-reflection.html [Accessed 23 Nov 2012]

Ahmet, A (2012). Ahmet Ahmet’s Blog [online], Available at: http://mrahmet.blogspot.co.uk/2012/11/literature-review-3.html [Accessed 23 Nov 2012]

Ahmet, A (2012). Ahmet Ahmet’s Blog [online], Available at: http://mrahmet.blogspot.co.uk/2012/11/task-5d-ethics-within-my-inquiry.html
[Accessed 23 Nov 2012]

Ahmet, A (2012). My BAPP Journal.


Bolton, G (1999). Acting in Classroom Drama, a Critical Analysis. Maine: Calendar Islands Publishers.

Costley, Williot, Geoffrey, Gibbs, Paul (2010). Doing Work Based Learning; Approaches to enquiry for insider researchers, London: Sage publications.

Coverton ed (2011). Drama to inspire; A London Drama guide to Excellent Practice in Drama for Young People. London: Trentham Books Ltd.

Denscombe, M (2002). Ground Rules for Good Researchers 10 Point Guide for social researchers. Buckingham:  Open University

Durrant, A (2012).  Alan Durrant’s Professional Practice Blog [online], Available at:

Elkin, S (2010). The Stage: Education and Training Blog. [online]  Available at: http://blogs.thestage.co.uk/education/2010/11/richard-eyre-president-of-rose-bruford-o/ [Accessed 1 Nov 2012]. 

Eraut, M (2007). Early Career Learning at Work Insights into Professional Development During First Job, Teaching research and Learning Briefing Teaching, [Online] Available at:
[Accessed 3 Sep 12]

Eraut, M (1991), Chapter 6, Learning Professional Process: Public Knowledge and Personal Experience, Developing Professional Knowledge and Competence. London: Falmer Press.

Fleming, M (2003). Stating Drama Teaching; Second Edition. London: David Fulton Publishers.

Fox, Mark, Martin, peter, Green, Gill (2007). Doing Practitioner Research Approaches to Enquiry for Insider-Researchers [online], Available at: http://www.dawsonera.com/depp/reader/protected/direct/AbstractView,title.$ReaderFunctions.eBookView.sdirect?state:reader/protected/AbstractView=ZH4sIAAAAAAAAAFvzloG1XJiBgYGJkYG1JLMkJ5WBNTWzOCmvhIHX0tzC0MLEwszAxMzUoJyDAYcMAMdy7R1DAAAA [Accessed: 6 Nov 2012]

Hesten, S (2011). Dorothy Heathcote Obituary: The Guardian [online], Available
[Accessed 13 Nov 2012]

Jones, K. Online Group-Work Guidelines, Centre for Excellence in Enquiry Based Learning (CEEBL), The University of Manchester. [Online] Available at:

Kahn and O’Rouke, 2004. Guide to Curriculum Design: Enquiry-Based Learning. [Online] Available at: http://www.ceebl.manchester.ac.uk/resources/guides/kahn_2004.pdf
[Accessed 3 Sep 2012]

Lazarus, J (2004). Joan Lazarus teaches theatre education at the University of Texas at Austin Talking about her Ethical Questions in Secondary Theatre Education Arts Education Policy Review [online], Available at: http://gateway.proquest.com/openurl?url_verZ39.882004&res_dat=xri:iipa:&rft_dat=xri:iipa:article:fulltext:iipa00575292 [accessed 25 Oct 2012]  

Mason, J (2002). Qualitative Researching: London Sage Publications Ltd

McKinny, Jones, Turkington (2011). Information literacy through inquiry: A Level One psychology module at the University of Sheffield [Online] Available from:
[Accessed 3 Sep 2012]

Middlesex University, Reader 4 (2012). BA (Hons) Professional Practice in Arts, WBS 3630. Reader 4: Developing Lines of Professional Inquiry [Online]
Available from:

Middlesex University, Reader 5 (2012). BA (Hons) Professional Practice in Arts, WBS 3030. Reader 5: Professional Ethics [online] Available from: http://lgdata.s3-website-us-east-1.amazonaws.com/docs/566/501690/BAPP_Reader_5_2012-13.pdf [Accessed 26 Oct 2012]

Middlesex University, Reader 6 (2012). BA (Hons) Professional Practice in Arts. WBS 3630, Reader 6: Tools of Professional Practice [online] Available from: http://lgdata.s3-website-us-east-1.amazonaws.com/docs/566/501691/BAPP_Reader_6_2012-13.pdf [Accessed 6 Nov 2012]

Smith, M (2001). Peter Senge and the learning organisation: The learning organisation. [Online] Available at:

Smith, M (2001). Chris Argyris: theories of action, double-loop learning and organizational learning', the encyclopedia of informal education. [Online] Available from:



Appendices

Appendix 1:


Appendix 2:


Appendix 3:


Appendix 4:


Appendix 5:


Appendix 6:

Appendix 7:


Appendix 8:


Appendix 9:


Appendix 10:


Appendix 11:


Appendix 12:


Appendix 13:


Appendix 14:


Appendix 15:


Appendix 16:



Monday, 26 November 2012

Drama Teachers: Stuck on what to do with your next class?

I follow this brilliant blog called Drama online. It gives great ideas and support for drama teachers. just saw this brilliant blog and had to shout about it. It gives a long list of drama scenarios for improvisation. Let's be honest, it friday, your tired and you have run out of steam. You look at you lesson plan and you just can't feel inspired. This blog will give us something to lean on when we need an impulse of creativity...

LINK: http://dramaonlineci.blogspot.co.uk/2012/11/improvisation-scenarios.html

Thursday, 15 November 2012

Summary of Module 2, Part 6.

Well the 3 parts in Module 2 have been an eventful journey and I haven't even began to think about my inquiry plan yet. Jam-packed with Theories, Researcher tools and Ethics, my final summary of module 2 brings me to a place definite learning and my journal informs me of, " a change in reaction to my studies... Sensing the notion of being brave, getting up and getting on with it" (Ahmet, A. 2012), which makes a change from the anxious feeling of under confidence from the last module (Ahmet, A. 2012).

As if following an old tradition of studies, I began the part yet again with a Critical Reflection of Reader 6. Shining the spotlight on Mason, Fox et al and Bell enabled me to not only satisfy my critical curiosity of the theories in the reader, but provided me with the knowledge and guidance I will need in the planning of my inquiry. An important find, they give me the 'know how' to the research process I am so new to. Critical Reflections are something I decided to take into this module, as a way to challenge the ideas of others and broaden my understanding. It is great to notice that I, "found some habits of study... Continue to be useful beyond the first module where I started them" (Akineye, A. 2012)

The tasks in Part 6 allowed me to try, test and fail my tools of research. Using reflective practice, I was able to know what is working in these tools and what I needed to develop further. My journal tells me, "we only get one shot at this inquiry and I've got to get it right" (Ahmet, A. 2012). I began the part feeling a little apprehensive as I never claimed to be a strong researcher. Not that I'm claiming to be an expert with the inquiry process now. But I do feel, planning, piloting and reflecting on the tools of inquiry, has aided me to sense a feeling of command over my inquiry. Having explored the ethical issues within my practice and most importantly within my inquiry, I can continue with the respect and verification of the outside world. Learning that ethics within my inquiry will be ever presence and my awareness of it is key to the respect and validation of my research project.

The Next Step: I feel having established my line of inquiry; Explored the ethical issues within my research and finally playing with the ideas of tools for inquiry. I now have the knowledge to compose a research project that points towards the direction of my inquiry. I can see the holes of knowledge within my practice and I hope that my work in Parts 4, 5 and 6 provide the sealant I'm looking for.




TASK 6b: My Developed Interview and Focus Group.

The development of my interview and focus group did begin to happen on TASK 4c. I sat down with a fellow practitioner and in a safe environment I began to discuss a set of questions, Improving their approach and wording.  It was this task that I based the design of my Pilot Observation and Focus Group. Again working with the same practitioner we looked at the design, however the main aspect of the interview and focus group that changed wasn't the questions themselves, but the very approach and method of delivery of them. I went from a place of asking questions to raising themes for discussion. These themes take the shape of what the topic is based on and then a serious of questions would follow. This style allowed room for discussion and by being flexible and loose to where the conversion could go, left room for the practitioner in question to express their opinion without any manipulation. By stimulating the conversation with my topics for discussion, my interviews and focus groups can become less ridged in style and more like, "conversations with purpose" Mason, 2007.

I'm still with the idea that my focus group and interview take similar shape, in terms of the topics. I feel it would be interesting to structure them the same and then this will make for interesting analysis, observing what happened when practitioners were alone and in a group.

This tool will be the backbone of my inquiry, giving me the ultimate qualitative data I crave as a researcher.  I had a great idea and have already arrange this for next year, I wanted to spend the day at one of my schools. Observing 4-5 teachers and then holding a focus group. This allows me to watch what they do and then find out what they think. Thus leading to an broader analysis.

TASK 6b: My Developed Observation

Very pleased with the design of my Pilot Observation, I organised to carry out the task within a school I practice at. I spoke the teacher through it and explained that it was designed around the same schools assessment framework, we sat and discussed what I was doing as a way to address any ethical concerns.

At first what I was looking for seemed to be suffice, as the lesson continued I found it a great tool for watching and noticing things that happen in my practice. I feel excited by this tool, by watching fellow practitioners with the organised method of my observation, I am positive I will extract the data I feel vital to my inquiry.

Upon reflection after however, there was a technical aspect to the observation I needed to improve on. The category boxes worked, but the headings above them were in full sentences. This made it hard to follow. Getting myself flustered and struggling to follow which box was where, my note taking became a slow and i was missing important happenings within the class. In order for my observation to become as efficient as possible I needed to make it user friendly. I have condensed the headings of each category down to two words. This will help me identify the category boxes easier and react faster to what I'm seeing. The important thing here is to allow the time after the observation to reflect on what I saw. As after time, my notes would make no sense. It's about planning ahead and being efficient.

Here is the new observation design...


Pilot Observation

Intro

Who am I?
I am a student at Middlesex University, studying on the BAPP programme.
What’s my research?
I wish to inquire about the transitional journey from actor or performer to teacher. Exploring the change in approach and concept to the practitioner's practice, the steps that need to be taken to get there and the transferable skills a practitioner already has. The questions and research will guide my steps as I make changes from actor to teacher and act as preparation for teacher training. The inquiry will not only inform myself along this transitional journey, but will become a useful guide to future practitioners wishing to learn about becoming a teacher, both on the BAPP programme and beyond.
Ethics.
Any information is confidential. Please state if you prefer to remain anonymous. Please carry on as you would in a normal classroom situation. It is important that I capture what happens without any influence of being observed.

Teacher Relationship with Students

Teacher Presence…








Student Response…








Atmosphere….








Control…








The lesson and learning

Teacher task communication…







Adaptability…








Creativity…








Engaged in different student levels…









The Teacher

Approach to teaching…








Method of demonstration…








Energy and passion…








Student feedback…








TASK 6b: My Developed Survey

In my Pilot Survey, I really didn't see this tool as useful I found it's quantitative data collection something that didn't fit in with my research. I was looking at peoples opinions and ideas and therefore needed an qualitative approach to my research. Still, I carried out the survey and as I thought I did stumble upon some issues. The first was getting people interested in it. I targeted the BAPP programme, including an email to my SIG and then a select group of outside practitioners that I knew were safe enough to send it to. But getting people excited and passionate about a survey proved difficult. Is it a sign of the times? Are we bombarded with marketing surveys? Is there a negative stigma attached to it?

After some reflections in my journal an interesting idea emerged. It became apparent that in order to validate the qualitative data within my observations and discussions, "I needed to record the details and background of the person" (Ahmet, A 2012). What I was looking for was quantitative data to gather up the statistics of the age the teachers taught, the amount of practitioner experience and their teaching status etc. "I have found a place for the survey within my inquiry" (Ahmet, A. 2012), I discover in my journal. The survey is a fantastic tool for recording the background to the qualitative data being collected. This would help the in-depth analysis and comparison of my findings and validate the research I'm doing as accurate as possible.

Here is the new design of my survey...

Link: http://www.surveymonkey.com/s/XDCND7X

Any thoughts?